The So-Called Other: Visiting Gaza
by Ariel Vegosen
Sometimes this conflict feels so complex that my head is exploding and my heart is hurting and I’m left with only a simple vision — the ocean crashing into the sand in Gaza, where I collect stones and sea shells that I will later give to my 97-year-old grandmother, who taught me to love and to know there is no other, there is only us, we are all the others.
The so-called other is my friend Nidal’s father, who has not seen his son in years because, after Nidal lost his leg and girlfriend in an attack, he managed to escape through Jerusalem to Germany. Now Nidal’s father can not leave and Nidal can not return—
I am a poor replacement for this man’s child. I promised Nidal I would see his father and now here I am with a Gaza Freedom March t-shirt as a present, feeling like nothing could ever be enough because nothing is ever enough, because my father is my best friend and there is no replacement for engaging with your child and seeing them accomplish their dreams.
Nidal looks just like his father, and meeting his father it is so clear why Nidal is so brilliant and able to continue living strongly in this world. Nidal’s father talks to me about the complexity of
Here I am to end the siege of
One of my Seeds of Peace campers puts it best when I ask him if he is coming to the march, and he says, “My family needs food. We are not so concerned about the march.” Sorry that I am only just learning about your world now, and sorry that I was in Haifa while war planes flew overhead last year and bombed your hometown.
I had no idea what to do and for that I am sorry. And I am not asking you personally for forgiveness, or anyone for forgiveness, I am asking for your story so I can tell all the other people that did not make it in, that can not fly this distance or pay this money to show up here and learn. The story is so big, and he is just one person with his son far away, and I know every person passing us on the street has a story and every building blown into rubble had a family that called it home, or school, or place of worship. I long to understand how the world became this way. And I long for a world that re-builds with newness, a stronger, more unified community.
And the so-called other is my camper Mohammed Bashir. He comes to meet me at the mosaic project we are making in
Glass entering
Mohammed is skinny, 17. He looks at me. Doesn’t blink. Says, are you busy? I say no, I am here to see you.
Without pause he says, “My father died.”
Khalil Bashir at 52 is no more.
Khalil Bashir, who survived being shot in the back of the head by Israeli soldiers in April 2001;
Khalil Bashir, who taught his family to believe in peace, despite having their house directly occupied by Israeli soldiers for five years;
Khalil Bashir, whose other two sons were shot, one in his back by the base of his spine and one in his leg
I am stunned.
I never met the man. I had seen videos and photos and knew that he was the headmaster of a German-financed school in Deir Al-Balah,
I had heard the story from both Mohammed and his brother Yusuf about their home and their land being taken over by soldiers. It is one thing to hear and another to see.
Mohammed and I get in a taxi (escaping the watchful eye of Hamas who wanted us to always remain with the group) and head to his neighborhood.
A house that his father built, land that his grandfather lived on, a home.
When I get out of the taxi I am shocked to see a grey building, the two top floors blown out, no windows, and barbed wire at the top. Mohammed says, “This is my home.”
I think of the home I grew up in, in
Here in
I remember him telling me that during the invasion a year ago he couldn’t shower and there was little food to eat. I think of myself at 17 hanging out with friends and going to parties. In
And now their house is missing this key figure of love. In his place, thousands of letters pile up from peace activists and friends, co-workers and family, sharing grief and thanks.
Their family is hope, proof that in the midst of great violence love is possible. The mural with 1,400 stars is proof that art as a means of activism is happening. All of the internationals who arrived in the Middle East and all of the people who marched in their hometowns to end the occupation and who continue to do powerful peace work are proof that a new world is possible. The ocean meeting the sand over and over again reminds me that borders can shift, walls can come down, soldiers can leave and become humans again, that sometimes picking up a sea shell for my grandmother is taking action and living peace. The people of
Ariel Vegosen participated in the
